Exhibition Status: Fully Booked

The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art

The Triumph of Nature: Art Nouveau from the Chrysler Museum of Art

The Triumph of Nature brings together approximately 120 of the finest Art Nouveau treasures from the rich holdings of the Chrysler Museum of Art, drawing primarily from the collection of Walter P. and Jean Chrysler.

Designing for a range of clients and settings including domestic interiors, innovative artists such as de Feure, Majorelle, and Gallé fashioned their eclectic works to play off each other in harmonious visual arrangements, conceiving of Art Nouveau as an enveloping style. To fully illustrate this concept, this comprehensive exhibition gathers a profusion of Art Nouveau works and accessories— furniture, paintings, sculpture, mosaics, books, posters, prints, lamps, glass from one of the country’s finest and largest collections, and other stunning objets d’art— all of them originally designed and coordinated to complement each other in elaborate ensembles.

The Triumph of Nature celebrates the florid, languorous curves, natural motifs, and refined elegance of Art Nouveau furniture, glass, and other works that have entranced generations of collectors and museum-goers since the apex of this brief but intense movement around the turn of the twentieth century.

 

This show is fully booked, for general inquiries please contact travelingexhibitions@artsandartists.org.

Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality

The Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality

The Global Language of Headwear: Cultural Identity, Rites of Passage, and Spirituality explores the vital role of ceremonial headwear throughout diverse cultural customs, beliefs, and rituals. Featuring approximately 89 hats and headdresses from 43 different countries spanning five continents, and organized into five distinct categories—Cultural Identity; Power, Prestige, and Status; Ceremonies and Celebrations; Spiritual Beliefs; and Protection—this exhibition showcases these mutual themes amid a range of traditions.

Each section draws compelling parallels across a global spectrum of regions and ethnicities represented in the exhibition. The beliefs and rituals of these many cultures, and the ceremonial objects that accompany them, ultimately unite an international community. Comparatively, both the Plains Indian feathered war bonnet and the Congolese Misango MaPende crown—though from vastly different regions and civilizations—represent a position of leadership and status, and only those who have earned the right to wear one may do so. The Global Language of Headwear colorfully demonstrates that each distinct society can be viewed through a similar lens of rites of passage, heritage, and identity.

 

This show is fully booked. For general inquiries, please contact travelingexhibitions@artsandartists.org

Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art

Memories and Inspiration: The Kerry and C. Betty Davis Collection of African American Art

“Our goal is to preserve cultural memories and provide the community with a source of inspiration.”

– Kerry Davis, Collector

“In their rapture of appreciating the courageous acts of visual artists, Kerry and C. Betty Davis have created a cultural oasis in which their community can recognize, inform and celebrate themselves.”

– Tina Dunkley, former Clark Atlanta University museum director

Memories and Inspiration: The Kerry and C. Betty Davis Collection of African American Art presents sixty-seven selected works from a body of art amassed over thirty-five years. Kerry, a retired mailman, and Betty, a former television news producer, have foregone many comforts to live with drawings, paintings, prints, and sculpture as their principal luxuries.  Their collection includes works by Romare Bearden, Elizabeth Catlett, Ernest T. Crichlow, Sam Gilliam, Loïs Mailou Jones, Jacob Lawrence, Gordon Parks, and Alma Thomas, but Kerry and Betty do not search exclusively for well-known and/or documented artists. Rather, they focus on “the importance of gathering and preserving a spectrum of approaches to the black image in order to console the psyche and contribute to a more authentic articulation of the self.”

The result is an eclectic gathering of works crossing different mediums, subjects, and styles by a group of artists of the African Diaspora who—in terms of training, experience, and expression—are strikingly diverse but unified in their use of cultural and historical narratives.  As their collection has grown, so has the Davises’ storehouse of memories of discovering new works of art, building friendships with artists, and conversing with museum professionals and other collectors in their home. They have also continued to expose their collection to family, friends, and church members who, while receptive to the fine arts, are unlikely to visit such local institutions as the High Museum of Art in Atlanta—prompting the artist Leon Nathaniel Hicks to refer to their residence as “a museum in a home.” Memories and Inspiration brings together an awe-inspiring selection of works, but it is their personal resonance—their connection to the Davises’ hopes, passions, and everyday lives—that gives the collection its unique power.

This show is fully booked, for general inquiries please contact travelingexhibitions@artsandartists.org.